Orlando Chamber Choir
Lucy Goddard, director
When the Spanish and Portuguese conquistadores landed in Latin America, they cruelly earned their name, conquering the indigenous civilisations with guns, germs and steel. Throughout the 16th century, cultures clashed and slowly merged; and for all its darkness, the cloud of colonialism also rained down a resplendent musical mix which blended the wonder and wisdom of two worlds in its vibrant villancicos – ¡Ay!
From this melting pot we pour a captivating cocktail of plainchant with percussion, rhythmical Renaissance dance and off-beat baroque with exotic embellishments – ¡Oye! We follow the music (and the drumbeats) throughout a full liturgical year, singing you from country to country with reverberations all the way to contemporary Venezuela. At the core of our programme brightly blossoms Juan de Padilla’s Missa Ego flos campi, around which scintillate the sounds of Capillas, Franco, De Zéspedes and other shining musical stars.
The church will be a parasol under which your pew shall tremble with the sun-bright colours of their polyphony – ¡Apúntate!
Franco – Christus factus est
Franco – Lumen ad revelationem gentium
Fernandez – Xicochi xicochi
De Padilla – Stabat mater
De Padilla – Exultate justi in Domino
De Padilla – Missa Ego flos campi
Capillas – Tantum ergo
Capillas – Aufer a nobis
Capillas – Cui luna, sol et omnia
De Zéspedes – Convidando esta la noche
De Dallo y Lana – Laudate Dominum omnes gentes
Zipoli – O Daliso, da quel dì che partisti (arias)
De Zumaya – La bella incorrupta
Estévez – Mata del anima sola