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Marc Chagall: Love and Luminosity
Alon Zakaim Fine Art is proud to present Marc Chagall: Love and Luminosity – an exhibition of one of the finest collections of privately owned Chagall works in the United Kingdom. With works spanning from 1938 to 1984, this retrospective showcases the deep connection between Chagall’s deployment of luminous colour and his most recognisable motifs. This landmark show also investigates the effects that love had on his artworks, be it the love for his first wife Bella Rosenfeld, his second wife Valentina (Vava) Brodsky, or the deep affection that he carried for his home city of Vitebsk and his adoptive home in Paris.
From a young age, Chagall’s broad and ambitious mind was at work, dreaming of his future
potential career paths as a violinist, cantor, dancer, and poet. These envisioned occupations could later materialise in his art and motifs, which similarly found influence in his childhood in Vitebsk. In addition to these formative years, his love for his first bride, Bella, also served as a catalyst for is visual language. Bella appeared in his seminal 1917 work Bella with White Collar, and after her death in 1944, Chagall placed importance on preserving her memory through his paintings. She appears as a recurring motif in many of his works, particularly through the ‘lovers’ motif, exemplified in Chagall’s c.1984 work Amoureux à l’arc en ciel.
Chagall specialised in riotous displays of colour, creating a spectacular body of work that compelled Picasso to comment “when Matisse dies, Chagall will be the only painter left who understands what colour is.” To the artist, colour could convey movement, rhythms, and emotions - a punctuation that instils dynamism into his bouquet works. Colour also served as the perfect basis through which to express the love Chagall felt throughout his life, for both his first and second wives, his children, and for his art.
From a young age, Chagall’s broad and ambitious mind was at work, dreaming of his future
potential career paths as a violinist, cantor, dancer, and poet. These envisioned occupations could later materialise in his art and motifs, which similarly found influence in his childhood in Vitebsk. In addition to these formative years, his love for his first bride, Bella, also served as a catalyst for is visual language. Bella appeared in his seminal 1917 work Bella with White Collar, and after her death in 1944, Chagall placed importance on preserving her memory through his paintings. She appears as a recurring motif in many of his works, particularly through the ‘lovers’ motif, exemplified in Chagall’s c.1984 work Amoureux à l’arc en ciel.
Chagall specialised in riotous displays of colour, creating a spectacular body of work that compelled Picasso to comment “when Matisse dies, Chagall will be the only painter left who understands what colour is.” To the artist, colour could convey movement, rhythms, and emotions - a punctuation that instils dynamism into his bouquet works. Colour also served as the perfect basis through which to express the love Chagall felt throughout his life, for both his first and second wives, his children, and for his art.
Marc Chagall: Love and Luminosity will run at Alon Zakaim Fine Art, 27 Cork Street, London W1S 3NG, from Mon 9 October 2023 – Fri 16 February 2024. Entry is free and gallery opening hours are 09.00 - 18.00, Mon – Fri.
27 Cork Street, London W1S 3NG
Mon 4 Dec 2023 to Thu 1 February
Website:
www.alonzakaim.com/