The Barn Theatre is proud to present a new production of a modern classic, Brian Friel’s Dancing at Lughnasa, opening on 6th February.
Following its Dublin debut in 1990, Dancing at Lughnasa became widely regarded as one of Friel’s most notable plays, with many revivals in Ireland, the UK, and the USA, and a star-studded film adaptation. Not long after its debut, it featured at the Barn Theatre; this production represents a welcome return for the play to Welwyn Garden City, providing a fresh opportunity to appreciate a stunning piece of work.
Loosely based on the lives of Friel’s mother and her sisters, the play is set in the fictional town of Ballybeg, County Donegal. The narrator, Michael Evans, looks back to a particular time in August 1936, shortly before Lughnasa, a Celtic, pagan festival still celebrated then in remote parts of rural Ireland. As the play unfolds, we see the lives of the five Mundy sisters (including Evans’s mother, Chris), upended by events that are often out of their control, starting with the return of their ailing brother, Father Jack Mundy, from missionary work in Uganda.
As director Coral Walton emphasises, the play is very much concerned with the workings of memory, using a wide range of theatrical techniques to explore how the act of remembrance itself colours our perception of the past. The script introduces layers of memory, as Michael’s narrative captures both his own and his mother and aunts’ recollection of key events. Tableaux, slow-motion sequences, music, and dance, all contribute to a fascinating rendering of retrospective consciousness.
The play is also distinctive in the quality of characterisation. Each of the Mundy siblings, as well as Michael’s father, Gerry Evans, is a rounded, three-dimensional personage. While the sisters espouse a range of attitudes towards the society, religion, and culture of Ireland in the 1930s, none of them is reducible to a particular position.