Wed 11 Nov to Fri 13 Nov, Wed 18 Nov to Fri 20 Nov, Wed 25 Nov to Fri 27 Nov, Wed 2 Dec to Fri 4 Dec
Free
108A Boundary Road, St John’s Wood, London NW8 ORH NW8ORH
Ben Uri is delighted to announce the upcoming exhibition, The Abbey Art Centre as Postwar
Refuge, 1946–56, marking the simultaneous publication of The Abbey Art Centre in postwar London 1946–1956, eds., Jane Eckette, Ian McLean and Sheridan Palmer (Routledge), this autumn.
The exhibition unfolds the remarkable story of the Abbey Art Centre, a cosmopolitan art colony established at New Barnet in 1946 by charismatic artist, gallerist and world art collector, William Ohly (1883–1955). A crucible of creativity on London’s northern edge, the Abbey was a postwar haven for stateless Jewish refugees, as well as artists from Australia,
Britain and continental Europe. Ohly’s openness to outsiders extended to his dealings at the Berkeley Galleries in Mayfair, which opened in late 1941 during the Blitz and where Abbey artists occasionally exhibited, as well as Commonwealth artists and artists from Ohly’s own world art collection. The Abbey was an important seeding bed for cross-cultural and transnational modernism that proved pivotal to the careers of many artists, as they navigated the seismic political and cultural shifts taking place in the postwar and postcolonial artistic landscape in Britain and beyond.
Featuring paintings, sculpture, drawings, monotypes, lithographs, puppets and related photographs, books and archival materials, the exhibition includes artworks by Abbey residents Scottish painter Alan Davie, English sculptor Peter King, English painter Lilian
Colbourn, German émigré painters and printmakers Marcel Frishman, Margret Kroch-Frishman and William Ohly, Austrians Helen Grünwald and Angela Varga, sculptors Inge King and Gudrun Krüger, pioneering German animator Lotte Reiniger, Ukrainian painter Stacha
Halpern, Australian constructivist Robert Klippel and painters James Cant and Mary Webb...
